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However, since it is expressed as a HABTM association, there is no intervening model. If you think of the featured flag as existing between the artist and the song, you should add the flag to the enjoining entity (forgot the term for this). However, that is because of the naming, so if I were you I'd rename it to Release instead (songs can be released on multiple albums). Vice versa, the opposite association may be redundant: (Genre) has_any_belongs_to_many :artistsĪs for your design of the featuring aspect, it seems that having a feature with the flag featured set to true is also redundant. Unless artists can belong to genres despite not having songs in said genres, you should not reproduce this information in another HABTM association. Should you need a separate table for this? The information is already stored through the association between songs and genres. I am not testing any of your code, so these are just my thoughts. This is more of a discussion than a question, but I'll attempt to address your concerns. # the db table for this class should have a "featured" boolean.Īs usual, huge thanks to those who take the time to read and give input! it's much appreciated!

is this right, and how can i make it better? class Artist :featurings, :conditions => "featured = true"Ĭlass Album :featurings, :conditions => "featured = true"Ĭlass Song :featurings, :conditions => "featured = true" Here is how i think the associations should be setup - and also the apex of my post. We would NOT want to save a artist's information more than once - so for example in the event we have a song w/ both a main artist and featured artist BOTH artists' information should live in the DB's "Artist" table.Īdditionally, when reviewing the "featured" artist aspect (statement #2) it seems we have an additional attribute that should be on the association - something like a "featured" flag. When digging through this problem, I immediately see that models such as Artist & Genre can be "reused".

Artist, Album, and Song can all be classified under multiple/different Genres - ie Brian Setzer Orchestra is categorized as "Swing", one of their albums could be "Swing, Rockabilly" and an individual song on that album could be "Jump Blues".

Or an even better example is when a DJ releases an album where ALL the songs are by other artists.

An individual song can also have multiple "featured" artists that differ from the album artist - ie Snoop Dogg owns the album but does a song featuring Harry Connick Jr.

A song can belong to multiple albums - ie Yellow Submarine is on the original album as well as a number of "Greatest hits" albums from The Beatles.

An album can have multiple artists - ie Metallica and Pantera release an xmas album.

The following statements are to be considered true: For this one let's use the music industry: My previous question used poet, poem, and printing as the models. The accepted answer from that question got me thinking about relationships more deeply and I'd like to present the SO community with this situation.

Lynn Gibson Jumpin' Jack Flash Trailer.About an hour ago i asked a question on rails associations: Rated R for extreme profanity and mature themes. One day she gets a strange message from an unknown source.

Terry works for a bank, and uses computers to communicate with clients all over the world.

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Though the plot is far-fetched and often flimsy, Penny Marshall (in her directorial debut) gives Goldberg enough latitude to showcase her immense talent in a role she obviously relishes-and audiences will too.ĭownload Jumpin Jack Flash 1986 1080p BluRay x264-PSYCHD torrent or any other torrent from Highres Movies category. A host of supporting talent includes Annie Potts, Jon Lovitz, Jim Belushi, the late Phil Hartman, and Stephen Collins (who shines as Marty, the mole), yet the film belongs to Whoopi. At first reluctantly and then audaciously, Doolittle becomes privy to his predicament and essential to his escape while delivering a steady stream of ribald one-liners and witty slapstick-whether it’s her Mick Jagger impersonation, police station meltdown, or infamous dress-caught-in-the-paper-shredder escapade at the British Consulate ball.

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Doolittle, the outspoken and irreverent employee of an international bank, is working overtime one evening when her terminal receives an encrypted message pleading for help from Jumpin’ Jack Flash, code name for a British spy (Jonathan Pryce) trapped in Eastern Europe. Whoopi Goldberg (The Color Purple) gives one of her earliest and finest film performances as Terry Doolittle, a computer programmer who unwittingly becomes embroiled in an international espionage scheme, forced to outmaneuver the CIA and KGB in this riotous 1986 Cold War comedy.